When my hubby decided to go to a family reunion in Denver for a few days I was wondering what kind of mischief I could kick up, given that he refused to let me redecorate his office while he was gone;(. So, I decided it would be a great time to host a Nia women's retreat at my flat at Coho Ecovillage (https://www.cohoecovillage.org/). It was planned to create more of a sense of intimacy in the small Nia community of my classes in Corvallis, OR. Sherilyn Sunflower led us in Jade Woman Chi Gong, Deborah Correa guided us in a writing exercise designed to find the poetry in our individual experience of the dance focus, and I led a Nia class with the intention of dancing and playing 'together.' We shared a potluck feast of great food and fascinating stories from our lives, and took a walk together in the park along the river. We collectively created the sweetest, sweetest space for each other. It seems that we were all touched more than we expected, and I have been hearing gratitude (and 'let's do it again!') all week from those who attended. I feel so much gratitude and appreciation for all the lovely women who shared such beautiful energy, and I feel at a loss for words.
Yasmin Ramahi, ever so eloquent with words, says it best:
Thursday, July 4, 2013
The focus that frequently comes up for me with the beautiful music from 1 Giant Leap is time and timelessness. The way we dance effortlessly between the sense of contraction around time and expansion into timelessness facilitates ‘dancing through life,’ one of our Nia principles.
Each time I step into the space in Nia class and see the whole group moving in unison I feel captivated by the magic of the moment. The uniqueness of each individual flavors the flow of the entire group. I feel apart of something much bigger than myself – as if we are all connected by the quality of the movement. Those beginning movements and accompanying breaths are typically slow, to decelerate the mind and bring our awareness into our bodies. I experience stepping in and slowly moving into a few deep breaths as stepping out of day-to-day clock time, and into the dimension of timelessness. As we start to connect to rhythm, we contract from that expanded, timeless space into the definitive structure of the music and the choreography.
Time, in class, might be experienced as order, rhythm, as knowing where you want to go and taking specific steps to get there. Time creates form, a structure tied to rhythm. Steps and stances. It is where we ‘get down’ and get it done. It gets the heart rate up and the muscles moving. Timelessness can be experienced as formless, chaotic, the sense that anything can happen, moving through the room unmoored from the structure of finite steps tied to a specific place on the floor, or a particular rhythm. It can also facilitate cardio-vascular movement, depending on the quality of the music. I can experience timelessness as a sense of spaciousness not bound by the dimensions of the rhythm. The spaciousness expands from my movement to the space within and outside of my body, dissolving boundaries, sometimes even the illusion of separation, as we are all moving together.
As music changes throughout the class we move between form and formless, time and spaciousness experienced through the different tones, rhythms, and emotions of unique artists. We slip in and out of timelessness and time. This effortless shifting between time and timelessness is a big part of what makes Nia a body/mind/spirit movement practice. I like to use it as preparation for dancing through life: dancing through whatever comes our way: joy, grief, wonder, depression, peacefulness, love. We focus on shifting in and out, moving through space and time and timelessness with the intention of being fully present to whatever comes up. Dance moves us through life with greater ease – physically, mentally, and emotionally, and provides a pathway for moments of transcendence.
For a taste of some of the music from 1 Giant Leap: http://www.youtube.com/watch?v=sSW825HqtS8&feature=c4-overview&playnext=1&list=TLJKI4T_fvLtk
Fun for a cold winter night…
For your viewing (and dancing) pleasure, here are links to the YouTube videos I used for inspiration for the Bollywood Nia routine. Click on the underlined name of the song below. If you don’t look at any other video, check out Chaiya Chaiya (next to the last).
- Awargi I don’t actually know if this song is from a movie. No moves borrowed for the warm-up.
- Haule Haule This video is hysterical! I don’t know how many times I watched it before I finally figured out the actor is Shah Rukh Khan – just didn’t recognize him.
- Maahi Ve Another Shah Rukh Khan movie. I thought I borrowed more choreography from this than I did (most moves borrowed from another Nia song). The stick dance at the end of the video is not on my music.
- Say Na Say Na No moves borrowed from this video (actually borrowed from another Nia routine).
- Jai Ho Borrowed as much as I could from this one.
- Sajda As this is not a dance video, I found only one move to borrow for the dance (bet you can guess which one). Another Shah Rukh Khan movie.
- If you don’t see any other video – watch this one! Amazing dance on the roof of a moving train (some of it was filmed in a studio). People actually did fall off during the filming, unfortunately. Chaiya Chaiya, another Shah Rukh Khan movie.
- Chalke Re I use a beautiful a cappella version of this song. Did not borrow choreography, only found the video recently.
IDEA is a professional organization for people working in the health and fitness industry. Here is the link to a recent article about barefoot training. The gist: it is important for so many reasons (“Most of the population has worn shoes since birth, so foot exercises don’t have to be limited to an advanced or athletic population. Everybody who wears shoes needs barefoot exercise, regardless of whether they want to switch to minimalist footwear or not. The complex machinery of the feet plays a critical role, not only in the obvious realms of gait patterns and ankle stabilization, but also in whole-body balance, nerve conduction and cardiovascular circulation.”) – and take it easy in the beginning. Give your feet time to adapt. The article offers some foot exercises to get you ready to work out in bare feet (or more flexible footwear) and some training tips.
(Reposting from blog on Website: leeladevi.com) Thank you to the lovely dancers who participated in the filming of Sajda from the Bollywood Nia routine. And special gratitude to my lovely hubby, Austin, who filmed. http://www.youtube.com/watch?v=LZwyNwTcHUA